Monthly Archives: April 2009
The chapbook Cinquainicity: The Adelaide Crapsey Project is on display all this month at Poets House in NYC. This chapbook, published by Palettes & Quills, features five series of linked cinquains as the form was defined by Adelaide Crapsey. M.J. Iuppa created and organized the project which includes 28 poets.
The form is syllabically driven: first line -2 syllables, second line -4 syllables, third line -6 syllables, fourth line -8 syllables, last line -2 syllables. Each poet began a cinquain with the last line of the cinquain written by the preceding poet.
I had the privilege of being the captain of the chain with poets Nici Knebel, Francis Bragan Richman, Jan Wenk Cedras, Cynthia Iannaconne, and John Roche.
For information on purchasing this chapbook visit www.palettesnquills.com.
My poem “Girl with Laurel” appears in the latest issue of Blueline, published by SUNY Potsdam. Joining me in issue XXX are fine poets M.J. Iuppa, Adam Wilcox, and Karla Linn Merrifield. As of this writing, the new issue is not listed on the Blueline web site. Check back with the site for ordering details.
Dwain Wilder will be the featured reader this Thursday, April 9 at the montlhy Just Poets reading series and open mic. Join us in the Community Room at the Pittsford location at 7:00pm and bring your own work to read during the open mic that follows.
Dwain’s bio: Dwain, a native of a small town outside Dallas, has lived in Rochester, NY since 1970 and now lives with his wife and niece, and dogs, in a quaint, untidy old farmhouse. He makes his livelihood as a luthier (a builder of stringed musical instruments). Dwain’s Appalachian dulcimers are held in high regard, both here and abroad, where he regularly receives commissions from Europe, Great Britain and the Far East. Dwain also teaches dulcimer building classes at the Northeast Dulcimer Symposium in Blue Mountain Lake in the Adirondacks, as well as in his studio.
Dwain also writes poetry and essays on Zen. He has published poems in various small poetry periodicals and collections but not extensively — due to having no taste for rejection slips and a lack of industry. He has published a chapbook, “Under the Only Moon,” under the Kinko/FedEx imprimatur. And he also composes and inscribes a short dedicatory verse in each dulcimer he sells (which, one might say, makes him the world’s highest paid poet, on a per line basis).