Friday opens the 2014 Fall reading season, the most opportune time for poets to have their work considered for publication by the largest number of journals seeking unsolicited submissions. The floodgates at Submittable, Submission Manager, Tell It Slant as well as the inboxes on editors’ desks and emails open beginning August 1 through September 15.
What you can expect to see this fall: Sadly, there will be an increase in the number of publications requiring reading fees in order to consider your work. No, these are not contest fees. Despite what some journals like to call their fees, they are money required for a journal’s staff to read the work you submit to them, hence “reading fees.” Reading fees that journals charge range from $1 per submission (usually 3-5 poems) to $10 per submission. The former and latter are very rare; reading fees in the 2013-2014 reading period averaged $3 per submission.
There will still be plenty of publications reading for free. Personally, as a poet, I am more inclined to support a journal without reading fees. But we need to be open to paying a journal for the privilege of reading our work. It stings. Poets rarely get paid when their work is accepted for publication. However, many journals are staffed by volunteers who believe in the value of literary pursuit and find fulfillment in publishing our work. I can much more easily accept not being paid for my work when I know the editors choosing to publish it have no monetary gain to do so.
What else? Expect an increase in online submissions with a corresponding decrease in postal submissions. This is not a new trend. Online submissions will continue to grow for the foreseeable future.
Finally, is the migration of more publications to the internet from print. Cost is the greatest driver behind this movement. Migrating away from print is not a bad thing. Consider how many potential readers your work may reach on the internet when published by a quality online journal as opposed to the number of potential readers finding your work in print.
What does this mean for Poetic Effect? Fall reading will be as busy as ever. Calendar slots will fill quickly. If you are interested in having submissions of your work prepared during fall reading, email me Claudia@poeticeffect.com to reserve your place in the queue. Reservations are on a first-come, first-served basis.
Gabriel Spera’s manuscript The Rigid Body was chosen by Natasha Tretheway for publication by Ashland Poetry Press later this year.
Manuscripts are now being accepted for the 2012 Snyder Prize. Contact me soonest if you would like your manuscript prepped for this and other spring poetry book/chap book competitions.
It’s good to be back at my desk after a couple of weeks of medical leave. Thanks to all for your prayers and well wishes.
It’s the height of the fall reading period and if you are already in my queue, you will definitely have your submissions in hand well before the deadlines begin. If you did not queue up, many journals and presses will be reading through spring and there are always those that read year-round.
On a humerous note, it seems our military has decided that my web site is considered “entertainment” and therefore is not accessible to our troops overseas. I’m not certain I would catagorize poetry submission preparation along with Hulu or Netflix…
My poem “A Walking Tour of Central Europe on American Soil” appears in the I-90 Manifesto edition of Redactions: Poetry and Poetics, guest-edited by Sean Thomas Dougherty. http://www.redactions.com/
Poet Michael Meyerhofer will be in Rochester next week courtesy of Palettes & Quills, Poetic Effect, the Arts Minor Program at St. John Fisher College and Just Poets. If you’re in the area, he will be reading at the Golisano Gateway on Fisher’s campus Thursday, October 13 at 7:30 pm. Meyerhofer’s books include Blue Collar Eulogies and Pure Elysium, which won the Palettes & Quills Chapbook Contest judged by Dorianne Laux. I hope to see you there. http://palettesnquills.com/
Song Cycle for Piano and Voice to be followed by a Poetry Reading
Libretto and poems by E. Louise Beach; Jennifer Bellor, composer.
Thursday, March 24, 7:00 pm
Wilson Formal Lounge
St. John Fisher College
3690 East Ave.
Rochester, NY 14618
Free and open to the public. Reception to follow the performance.
*Please note this is not an open mic event.
Sponsored by Just Poets and St. John Fisher College’s Arts Minor Program
Additional support by Poetic Effect
E. Louise Beach is a lyric poet, critic, translator, and librettist. Recently, she has been published in Barrow Street, Many Mountains Moving, Rosebud, The Bitter Oleander and TriQuarterly Online, among others. Finishing Line Press has published her two chapbooks: Blue Skies (2006) and Sine Nomine, (2011). She was recently named a finalist in the May Swenson Poetry Book Award. Seven of her poem cycles have been set to music by composers Jen Bellor, Gerald Coleman, Bryan Page, and Robert Pound. In 2011, Ms. Beach received a grant to create a libretto for August Strindberg’s The Dance of Death.
Jennifer Bellor is currently a Ph.D student in music composition at the Eastman School of Music. She holds an M.M. in composition at Syracuse University where she was the recipient of The Brian Israel Award in Composition in 2007. She was a participant in the Buffalo Philharmonic Young Composers’ Readings in 2007 for her orchestral work, “Chimera.” She has been commissioned by The Hangar Theatre in Ithaca, NY, Society for New Music, Reuben Blundell and the Millersville University orchestra, The Women in Music Festival at Eastman, and Peachtree United Methodist Church in Atlanta, GA with organist Nicole Marane and brass members from the Atlanta Symphony. Her piece, “Stars,” for soprano and marimba was performed on the 2009 Eastman China Tour in May.
Spring has arrived early in western New York. Crocuses bloom through melting snow just as many literary journals have ended their winter reading and many Poetic Effect clients will soon be seeing their responses in the mail/email. Currently, more than 250 print journals are considering poetry submissions. Many of these will close to submissions when the tulips and lilacs are in full color here in May. Full-length book manuscript contests are at their peak with 35+ reading right now. More than 20 chapbook contests are running as well. If you would like to get into the Poetic Effect spring queue, get in touch soon email@example.com.
Congratulations to Poetic Effect clients who have recently had work accepted by Southern Indiana Review, Pearl, Inkwell, Chaffin Journal, Roanoke Review, Worcester Review, Blueline, River Oak Review, Soundings Review, Eureka Literary Review, Avocet, South Dakota Review, Clackamas, Yalobusha Review, Red Wheelbarrow, Coe Review, and others.
AWP, the largest conference for writers and writing programs, will be held in Denver next month. I will be blogging about various panels and other writing-related news. I hope to see some of you there.
The Just Poets Reading Series and Open Mic will be featuring James Cook (tonight), Sue Ann Wells (April), Suzanne Slack (May), and contributors to Le Mot Juste 2010 (June). The reading series is held at 7:00 pm the second Thursday of every month (except December) at Barnes & Noble, Pittsford.